Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, _The Practices of Enlightenment_ unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment. By engaging with three critical categories--aesthetics, authorship, and the public sphere--_The Practices of Enlightenment_ illuminates the relationship between religious and aesthetic modes of reflective contemplation, (...) autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere. (shrink)

The historian Caroline Walker Bynum, who solicited and organized this set of five case studies, explains in her introduction to them that their intent is to bypass the currently popular and unsupported claim that the humanities have practical relevance and, instead, to offer ruminative descriptions of what happens when teachers and students meet to discuss texts and objects. She explains that the essays report in detail on five individual classes in five very different academic settings, in the hope of helping (...) to turn the international anglophone conversation about humanistic education away from utilitarian, presentist, all-inclusive claims and toward a demonstration of what the humanities do in practice. (shrink)

This contribution to a set of case studies, titled “In the Humanities Classroom,” focuses on one session of a Columbia University seminar, Aesthetics and Philosophy. The class, comprising a mixed group of undergraduate and graduate students from diverse programs and backgrounds, was assigned Johann Gottfried Herder's difficult 1771 “Treatise on the Origin of Language” for discussion. “Herder's Sheep” details how the active participation of students was ensured, what techniques of communication were used to ensure it, and what the students learned (...) during the discussion. (shrink)